![]() Locating and identifying these potential performance venues is not difficult Google is your friend, and most areas have directories of seniors’ facilities. long-term care medical facilities, etc.Ī related market includes social clubs, churches or temples, and public or private recreational and social facilities such as senior centers, adult recreation programs, and affinity clubs with a high proportion of senior members.The current population of seniors in residences is an older cohort, mainly born in the pre-WWII years, with an age range of, say, 75-95 years.įor the performer, the market for his/her services is usually concentrated on residence facilities designed for seniors: The “baby boomer” generation, broadly defined as those born between 19, have all reached at least the AARP-eligible age of 50 this group remains the largest age cohort in our current population, based on the 76 million births occurring in those years. The Seniors’ “Gig Market”ĭemographic changes indicate that the number of US residents over the age of 65 is growing fast, both in absolute numbers and as a percentage of our population. This decision may be based on the performer’s skills, repertoire, and performance preferences it may also involve consideration of the local “market” for musical performance. I won’t be attempting to discuss the therapeutic benefits of music, or the role of music, dance, theater, or other forms of entertainment in enhancing the quality of life for those considered “seniors.” The assumption is that the performer has already considered these factors, and has decided that he/she wants to begin performing for seniors, on a regular basis. This “nuts and bolts” manual is an attempt to share what expertise I have accumulated through trial and error. Working with seniors, and with the staff and leadership of seniors’ residences and organizations, has given me quite a bit of experience in this field. Performing for seniors, in a variety of different locations and formats, makes up by far the largest proportion of my work for example, out of 198 jobs I performed in 2016, 131 (66%) were “seniors’” jobs. No, I don’t support my family through music –– though I do perform around 200 times per year. Singing for Senior Centers: “Nuts and Bolts”Ī 50-year veteran of performing folk music, I have for the past 17 years been playing professionally as a full-time avocation. ![]() So, here’s a very comprehensive article on the subject this one a guest post from musician Allen Hopkins. I don’t perform for many senior facilities, but I know some very talented people who do.Īnd lots of subscribers have been asking me for advice on this topic.
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